Elevate Your Acoustic Sound: Must-Have Pedals for 2025

Acoustic guitars are loved for their warm, organic tone—but that doesn't mean they have to stay completely raw. With the right pedals, you can enhance your sound without losing the natural character of your instrument. Whether you're a singer-songwriter, fingerstyle virtuoso, or gigging solo artist, a few carefully chosen effects can bring out the best in your acoustic setup.

In this guide, we'll highlight the best acoustic guitar pedals in 2025, tools that add depth, clarity, and creativity while keeping your tone authentic.

Best Pedals for Acoustic Guitar in 2025

Best Pedals for Acoustic Guitar in 2025 - In-Depth Review

Preamp/EQ

Grace Design ALiX Pedal

Main Features

• Studio-grade preamp with open, detailed sound
• 3-band EQ with sweepable mids and variable high-pass filter
• Footswitchable boost and dedicated tuner output
• Ground-isolated DI with selectable output level
• Three input impedance settings for optimal pickup matching

The Grace Design ALiX is built for acoustic players who want precise control without sacrificing the natural character of their instrument. The 3-band EQ section, with a sweepable midrange and adjustable high-pass filter, lets you tailor your tone for any venue or mix, whether you're dealing with boomy lows or piercing highs.

Its input impedance selector is especially useful for matching different pickups, helping to extract the most natural and balanced tone possible. The DI output is fully grounded and transformer-isolated, giving you a clean, noise-free signal to the board. Add in a rugged chassis, footswitchable boost, and a tuner out, and you've got a powerful all-in-one tool.

LR Baggs Venue DI

Main Features

• 5-band EQ with sweepable low-mid and high-mid bands
• Garret Null notch filter and phase switch for feedback control
• Footswitchable clean boost and onboard chromatic tuner
• DI output with full isolation and transformer coupling
• Series FX loop and dual outputs (XLR + ¼")

The LR Baggs Venue DI is designed to give acoustic players everything they need in a single, compact pedal. Its 5-band EQ section, with sweepable midrange controls, offers plenty of flexibility for dialing in a balanced tone. The addition of a notch filter and phase inversion makes it easier to fight feedback on louder stages, especially when using more sensitive pickups.

The onboard tuner is easy to access with a footswitch that also mutes your signal, making tuning silent and seamless. A boost function adds headroom when you need to cut through the mix, and the isolated DI output ensures a clean signal to front of house with minimal noise or hum.

LR Baggs Align Series Session

Main Features

• Analog saturation adds warmth and harmonic depth
• Multi-band compression targets low, mid, and high frequencies
• Touch-sensitive EQ responds to dynamics in real time
• Simple layout with volume, gain, and engage footswitch
• Designed specifically for acoustic guitar pickups

The Align Session brings studio-style processing to a pedalboard format, tailored specifically for acoustic guitar. Its analog saturation circuit subtly enriches your tone with added warmth and dimension, something often reserved for high-end outboard gear in a studio setting. It helps the guitar sit better in a mix while maintaining a natural, organic feel.

What sets the Session apart is its three-band Comp EQ. Instead of applying blanket compression, it zeroes in on problem areas—like boxy mids or harsh highs—and tames them dynamically based on how hard you play. This touch-sensitive behavior makes your tone feel polished without feeling squashed or artificial.

Compressor

Universal Audio Max Pedal

Main Features

• Emulates UA 1176, Teletronix LA-2A, and MXR Dyna Comp compressors
• Includes a model of the classic UA 610 tube mic preamp
• Stack compressors in any order for custom textures
• UAFX mobile app unlocks EQ, serial/parallel routing, and sidechain filtering
• Dual-engine DSP for studio-grade sound and flexibility

The UA Max is like a mini studio rig packed into a stompbox. With three legendary compression circuits onboard, it gives acoustic players (and electric too) a wide palette of dynamic shaping tools. The 1176 brings punch and energy, the LA-2A smooths everything out with vintage warmth, and the Dyna Comp adds that gritty squeeze some players love for slide tones.

One unique feature is the ability to stack compressors. Running the 1176 into the LA-2A, for example, gives you the fast attack of a FET limiter followed by the smooth tail of an optical one—something usually reserved for high-end studio chains. Add in the UA 610 tube preamp modeling, and you've got a pedal that adds real harmonic character to your signal.

Modulation

BMF Effects Liquid Sky Chorus

Main Features

• 100% analog chorus with warm, lush modulation
• Blend knob allows precise control from subtle to extreme effects
• Capable of slow swirl, fast Leslie-like rotation, and 12-string shimmer
• True bypass switching preserves your dry tone when bypassed
• Standard 9V DC power input

The Liquid Sky Chorus delivers rich, analog modulation with a vintage soul and a modern twist. The addition of a blend knob makes it especially versatile, letting you dial in anything from light movement to thick, warbly textures without washing out your tone.

Its range of modulation speeds covers everything from ambient shimmer to rotary-style swirl, making it well-suited for acoustic players who want to add subtle depth or bold character. Simple, classic, and highly musical.

Reverb/Delay

LR Baggs Align Series Reverb

Main Features

• Reverb circuit designed specifically for acoustic instruments
• Blends dry and wet signals without masking the original tone
• Decay and tone controls offer wide ambient shaping
• True bypass with engage footswitch
• 9V battery or DC power options

The Align Series Reverb brings a natural, spacious feel to your acoustic tone without overwhelming it. Its sidechain design keeps the reverb sitting behind the dry signal, preserving clarity and dynamics, which is especially important for fingerstyle or percussive playing.

The analog tone control adds flexibility, letting you move from darker, mellow trails to brighter, airy reflections. Whether you're after subtle ambiance or a more immersive sound, this pedal delivers a refined reverb that feels like an extension of your instrument, not an effect layered on top.

Cusack Music Resound V2

Main Features

• Eight reverb types, including Room, Plate, Cathedral, Swell, and Shimmer
• Preset system with easy switching and "extend" decay feature
• Stereo outputs and dedicated expression pedal input
• Lush, fine-tuned algorithms for smoother, more complex tones
• No menus—just dial in, save, and play

The Resound V2 is a powerful reverb workstation designed with creativity and performance in mind. It features a wide range of reverb types—from subtle room reflections to dramatic ambient textures—each voiced for rich, dynamic response. The updated Swell and Shimmer modes add cinematic flair, while classic reverbs like Plate and Spring offer vintage character.

It's intuitive preset system makes it easy to switch between drastically different sounds mid-song, with an "extend" function for pushing decay to the extreme. Stereo outputs and expression pedal support make it equally suited for solo performers or more complex rigs. For acoustic players looking to explore space and mood without fussing through menus, the Resound V2 offers a deep but approachable platform.

Multi-Effects

Carl Martin Acoustic GiG Pedal

Main Features

• Compressor/Limiter, Echo, Reverb, Boost, and Semi-Parametric EQ in one unit
• Tap-tempo echo with dotted eighth note option
• Hybrid spring-style reverb with modulation at high settings
• Phase switch for feedback control and onboard tuner/mute
• XLR DI output, insert loop, and comprehensive rear-panel connectivity

The Acoustic GiG is an all-in-one tool for players who want studio-style control in a single pedal. Its compressor evens out dynamics smoothly, while the semi-parametric EQ gives precise tone shaping for different venues and pickups. The echo and hybrid reverb add warmth and space, with the reverb capable of subtle shimmer or modulated textures.

A clean boost helps solos stand out without altering the guitar's natural tone, and the phase switch aids in controlling feedback on stage. With a built-in tuner, mute function, and multiple I/O options—including a balanced DI—it's designed for serious gigging musicians who value both sound quality and convenience.

MOOER Ocean Machine II

 

 

• Two independent delays and nine reverb types with freeze function
• 120-second looper with overdub, reverse, and half-speed modes
• Parallel or series routing for flexible signal paths
• Full MIDI, expression pedal, and wireless footswitch support
• Stereo I/O, global EQ, and selectable true/DSP bypass

The Ocean Machine II expands on the original's ambient legacy with upgraded algorithms and deeper control. Its dual delay engines cover everything from pristine digital echoes to experimental textures like crystal and rainbow, while the reverb section ranges from subtle rooms to heavily modulated, atmospheric spaces. The freeze feature lets both effects sustain indefinitely for evolving soundscapes.

A revamped looper integrates seamlessly with the delays and reverb, perfect for building layered performances. With intuitive controls, an LCD display, and performance-ready features like MIDI integration, stereo routing, and wireless footswitch compatibility, the Ocean Machine II is a powerful tool for acoustic players who thrive on creating expansive, cinematic sound environments.

Looper

DigiTech JamMan Solo HD

Main Features

• High-definition A/D-D/A converters for improved audio quality
• Stereo looping with SD/SDHC card support for extended storage
• Auto Record and selectable Stop Modes for performance control
• JamSync feature to link multiple compatible devices
• Compact design for pedalboard-friendly setups

The JamMan Solo HD builds on the success of the Solo XT with upgraded audio fidelity, offering clearer, more dynamic loops and smoother time-stretching. It retains all the core features players loved—such as stereo recording, expandable memory, and flexible stop modes—while the JamSync function enables synchronized looping across multiple units.

With its compact footprint and professional-grade sound, the JamMan Solo HD is equally suited for solo performers, live looping setups, and songwriting sessions where clarity and precision matter most.

Frequently Asked Questions

How Can I Avoid Feedback When Using Pedals With My Acoustic Guitar?

Feedback is common with acoustics, especially at higher volumes. Use a soundhole cover, position yourself carefully in relation to speakers, and consider pedals with built-in notch filters or feedback suppression.

Can Pedals Help My Acoustic Guitar Sound Better Through a PA?

Absolutely. A good preamp or EQ pedal can balance frequencies, reduce harshness, and boost presence, making your guitar sit well in a mix and sound more polished to the audience.

Which Pedal Should I Get First for My Acoustic Guitar?

An EQ or preamp pedal is the most versatile starting point, letting you shape your sound and control feedback before adding effects like reverb or delay.

Conclusion

The right pedal can turn a good acoustic tone into something unforgettable. From subtle tone enhancers to ambient soundscape builders, today's options let you fine-tune your voice without losing the natural character of your guitar.

In 2025, acoustic players have more ways than ever to adapt their sound for the stage, studio, or street corner. Choose pedals that match your style, experiment with combinations, and let your acoustic tone shine in every setting.

More interesting reads:

Best Guitar Pedals on a Budget | $150 & Under

Ultimate Guide to Reverb Pedals | Best Reverb Pedals in 2025

How to Set Up Your Pedalboard | Guitar Pedal Order Explained

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